My latest post is up at the Christianity Today women’s blog, and it’s one I really love because the artists it features are so inspiring (both the film makers and the photographers). I had the privilege of speaking to the artist who took the picture below and communicating by email with a couple others. What a pleasure! I hope this post makes you smile, and causes you to ponder your own limited vision. It begins like this:
After seeing an advertisement for the 8th Annual Garden State Film Festival on Twitter, I requested a press pass, thinking I might screen an inspiring film or two that I could recommend to Her.meneutics readers. The festival director suggested Newt Gingrich’s Rediscovering God in America, which I saw and appreciated, but not nearly as much as two other films. Both reminded me that seeing the world through another person’s eyes is often the route to both empathy and greater self-awareness.
Shooting Beauty introduces viewers to a community of people with cerebral palsy, first through the eyes of an aspiring fashion photographer whose career is diverted as she teaches them how to take pictures, and then through their own and each other’s eyes. The second, Dark Light: The Art of Blind Photographers, defies logic as it highlights the stunning art and unique vision of some of the world’s leading blind photographers. Yes, that’s right, blind photographers. And no, I didn’t believe it either until I saw their work and their processes for myself. Both films tell their stories without either pity or sanctimony. This is a significant accomplishment for filmmakers who don’t travel through life in the dark or by wheelchair.
Shooting Beauty opens with the first person story of Courtney Bent. She initially visits a cerebral palsy day program to photograph its severely disabled clients, but soon discovers that her own limited perspective distorts the images she creates. …
You can read the rest here, and join the conversation either at Her.meneutics or right here at Exploring Intersections.
[Cathedral photo ©Pete Eckert ; all rights reserved. Used with permission.]