Conversation with CT: You Are Me by Gabriel G. Scheller

You are Me

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Dialogue Replay

CT: What’s up Gabe?

Gabe: What’s up man?

CT: Ouch!

Gabe: Sorry.

CT: It’s cool. Don’t push so hard.

Gabe: I want your ears in the back.

CT: OK … Done?

Gabe: Almost.

CT: I look kind of bland.

Gabe: Shhh.

CT: Gabe, why do you draw me?

Gabe: Damn, you talk a lot. I draw you because you are an expression of my inner conflict. You are me.

CT: No one could hang out tonight, huh?

Gabe: No! Yes … I need more friends.

[©GGS circa 2007, all rights reserved.] 

CT & Teddy: I’m Sorry by Gabriel G. Scheller

I\'m Sorry

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Dialogue Replay

Teddy: I just watched Watership Down. …  Damn. … I’m sorry.

(note: read the book series instead.)

[©GGS circa 2007, all rights reserved.] 

CT & Teddy: What the Hell Man?!! by Gabriel G. Scheller

What the Hell Man?!!

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Dialogue Replay

CT: What the hell, man?!!

Teddy: Sorry. … Your ears are just so weird! How did they get like that?

CT: The same way you got to be a jackass. I was born that way.

[©GGS circa 2007, all rights reserved.] 

CT & Teddy: End Rabbicide! by Gabriel G. Scheller

End Rabbicide!

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Dialogue Replay

CT: End Rabbicide! … Thousands are dying each day! … Take a Stand! … Don’t you want to end Rabbicide?

Teddy: G*d, why are you bunnies always complaining?

CT: Why? Why?! Because we are being used for lab tests! Because this … your misalogist buerocrasy is killing my people for lucky key chains!

Teddy: You have weird ears.

[©GGS circa 2007, all rights reserved.] 

CT and Teddy: So You Wanna Be, Like, Bugs …? by Gabriel G. Scheller

So, You wanna be, like, Bugs ...?

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Dialogue Replay

Teddy: Hey C.T.

C.T.: Oh, hey Teddy, wassup!

Teddy: Nothin’ man. Look, we wanted you for the class film. You in?

C.T.: O, for sure Dude! I have like 5 years of acting training & been on some commercials. … Do you want me as co-star or lead maybe?

Teddy: Um, we were thinking like the Trix Rabbit or the Easter Bunny.

C.T.: Okay, I’m really diverse though. I could play any part.

Teddy: So you wanna be like Bugs or Peter Cottontail or something?

[©GGS circa 2007, all rights reserved.]  

Mystery Creation by Gabriel G. Scheller

Teen Challenge

This photo was taken at Trinity Bible Church’s annual Teen Tournament, which pitted regional youth groups against one another in various contests. Our team, which I chaperoned alone in defiance of all good judgment, was from Calvary Chapel Four Winds of Redbank, NJ. Gabe sliced his finger with a box cutter within moments of our arrival, sending me into crisis management mode and us to the emergency room midway through the day. We got back in time for him to win the Toilet Bowl Derby. Can anyone tell from this photo what his mystery creation was? It’s a classic. I’ll send a pound of incomparable See’s chocolate to the first person who posts the right answer.  

Update 5pm pst: We have a winner! C.H. correctly guessed that Gabe’s creation is the silver jacket. She surmised aluminum foil, but in fact it was made entirely of duct tape. A true construction family son!

The Birth of an Activist by Gabriel G. Scheller

In this piece of work from Gabriel’s senior year of high school, he outlines his racial awakening and subsequent passion for racial justice and reconciliation. 

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The Birth of an Activist by Gabriel G. Scheller

Over the years I have probably read more books than the average teenager. This can partly be attributed to my four years of home schooling with a literature-based curriculum and partly an early introduction to novels by my mother. I have also seen many movies and television shows, more than is probably healthy. Because of these two factors, I was hard-pressed to think of one book or movie that has had any significant influence on my life. The movies I chose are Remember the Titans and Glory; the book is Uncle Tom’s Cabin.

I have been blessed to live as a bi-racial child in an entirely Caucasian family. I never knew my Tanzanian birth father. About a month after my first birthday, my mom married my father and he adopted me when I was five. I have never felt uncomfortable around my white family. Everyone on both my natural mother’s side and my adoptive father’s side treats me with love and respect.

My parents tried as hard as they could to make sure I never tasted the bitterness of racism or bigotry. They even moved the whole family from Point Pleasant Beach, NJ, which had hardly any diversity to Long Branch, NJ, which had everything from Hispanics to Asians. In turn, I never had to deal with discrimination because of the color of my skin. I was never denied access to any public place because I was black. I could always drink out of the same water fountain as anyone else. This was a blessing in almost every way, except that by not suffering myself, I was not as sympathetic towards the people who had suffered as I could have been. The Civil War and the Civil Rights Movement seemed so far away that I never appreciated what had been sacrificed.

It was not until eighth grade that I began to realize the things I had been taking for granted. My mom, my brother and I read Uncle Tom’s Cabin. Harriet Beecher Stowe’s writing style was breathtaking and powerful. She made me feel the ice cold water of a woman trying to escape through a frozen river and every lash inflicted on Tom by Simon Legree. As we read, I had to breathe sighs of relief throughout the book and thank God that he did not create me to live in that time.

Later on I saw the movie and it was very disappointing, as most book-based movies are. I was the only one in AP History class who had read the book and I had everyone excited to watch it. “Wait ’til you see how bad Legree is. You’re gonna’ hate him so much.” Unfortunately the film makers could not fully visualize just how evil Simon was. They did not make his voice drip with hate or send tingles up my spine every time he entered a scene. The movie made him out to be simply an angry drunk, more pitiful than malevolent. The effect was exactly the opposite of the one I had had as a reader. Instead of hating Legree, I almost felt sorry for him.

This new found empathy with the suffering of my predecessors invigorated me. I wanted to do everything for Civil Rights! I wanted to fight the good fight! But there was not even a little inequality I could find in my town, considering the fact that minorities were the majority.

It was not until sophomore year that I saw the two movies that have had the greatest effect on me. I recall seeing posters advertising Remember the Titans and scrutinizing it harshly. How could a Disney movie about football be worth seeing? After it came out, the buzz of the critics was positive, but anyone can find a critic who likes a bad movie. I didn’t take it that seriously until I heard the kids in school raving about it. It was inspirational! It made grown men cry! I finally watched it in my US History II class when it came out on video. I was astonished by Denzel Washington’s stellar performance. This movie didn’t sugar coat anything. It showed the bigotry and skewed logic of disrespecting someone just because of their skin color.

I wanted to do something. I thought for a long time and finally decided I wanted to make a movie, a story of racism that takes place in the present. I wanted to show that it still lives, to show that even though the movers and shakers of the Civil Rights Movement made astronomical advances, we still have a ways to go. I also wanted it to be set in the North. Unfortunately other than setting, I really had nothing to go on. I thought for days, but nothing came to mind and I gradually forgot about my plans.

That spring the class watched Glory. Once again I watched as African Americans were hated for no logical reason. I watched them fight and die for the freedom that I still take for granted. I wanted others to feel the same way I did, watching these movies and reading that book. I was reminded of my screenplay. This time I was determined to come up with a plot. I tried for almost two weeks. Everything I came up with was either pitiful or reminiscent of some other movie. Three weeks had gone by and I had given up. I went to sleep depressed and discouraged. It must have been 2:30 in the morning when I woke up. I saw it all in my head: plot, camera angles, what the actors needed to look like. Everything was there. I hopped out of bed and took out a piece of paper from my desk drawer. I had to get it all down. I couldn’t forget. I crawled back into bed after almost forty-five minutes of furious scribbling and fell asleep with a smile spread across my face.

After much refining and lots of thought, my screenplay evolved into a book. I figured that it would be a lot easier for a first time author to have his book published than it would be to have a screenplay made into the major movie I wanted it to be. Plus, I had no idea how to write a screenplay. It just made more sense to write it as a book, hope it would be popular and then have it made into a movie.

The novella is coming along very slowly. I have been writing it for almost a year. Due to writer’s block and my tendency toward procrastination, I have spent much less time on it than I would have liked. In the move out here to California, some of my important notes were lost, which set me back further. I plan on bouncing back and reaching my goal before I have to leave for college, where I will probably be so sick of writing things that I’d rather have my fingers broken than do it voluntarily.

These three media pieces have influenced me for the better. I have more respect for myself and appreciation for my ethnicity. I don’t let people make ignorant comments about my being mixed the way I used to—even if it’s only in fun. I have decided to stop pretending that it doesn’t hurt. One day I hope and pray that I will have done something to make at least one person feel the same way.

[© GGS 2002, all rights reserved.]

Back in the Day by Gabriel G. Scheller

 

The Team by Gabriel G. Scheller

[©GGS circa 2000, all rights reserved.]

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Back in the day,

in my “H” double “O-D,”

sittin’ on the stoop listening to Snoop “D-O” double “G.”

Tried to be good,

do what my mom told me,

causin’ all kinds of trouble, wit my homies.

 

Back in the day

with Mase, Big & Puffy,

tryna pop wheelies on my Huffy.

We were told not to talk to strangers,

not to get violent like Power Rangers.

Back in the day when life was sweet

and the hardest thing to do was beat Mario 3.

 

When PS1 beat the Snes.

Big League Chew, yo’ that stuff was the best.

Jurassic Park & that movie Twister,

Family Matters, Smart Guy & Sister, Sister.

My first girlfriend & the playground where I kissed her.

 

Back in the day when my whole ‘hood knew me,

plannin’ wit my brother how to sneak into movies.

BK Knights & knee high socks.

Walking down the street to the barber shop—

short on the sides & long on top. 

Waffles at Gramma’s,

Kick Ball & skippin’ rocks.

Can’t forget Slammers & Pogs. 

 

Waste all my money from doing chores

on candy & soda at the corner store. 

Back when I was innocent, never suspicious.

Fruit Stripe gum & Bubblicious.

Scared of bullies that might hurt us.

Captain Crunch, Pop Tarts & Ninja Turtles.

 

Catching fireflies on warm summer nights,

playing Manhunt in my LA Lights.

Talkin’ in class, passin’ notes—

Do you like me? Check yes or no.

Waitin’ for the bus, tryna make my hands warmer. 

Battle Toads & Transformers,

Ghost Busters.

 

Watchin’ Nickelodeon, my brother & me,

Camp Anawana & Pete & Pete.

 4th of July, ice cream & bottle rockets,

back when Gameboy could fit in your pocket.

Tryna save Zelda with Link.

Knock on wood. Jynx personal jynx.

 

Being young is what I miss.

Like a bracelet you hit on your wrist,

my childhood went by in a snap.

I can’t believe years go by so fast;

I can’t help but miss way back when.

I’d give anything to be a kid again.

[©GGS 2004, all rights reserved.]

 

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Weird by Gabriel G. Scheller

[© GGS circa 2002, all rights reserved.]

New York Night by Gabriel G. Scheller

New York is beautiful.

I forgot how much I missed it.

So much life in this city. American remix.

Culture rich city. I’ll move there someday,

just to see the breakers dancing in the subway.

There’s no music there; the sound system’s busted.

D-line. Old man, hands calloused and crusted.

The music flows out of his fingers to his violin.

Bach. Dvorak.

I don’t know which one it is,

but it’s beautiful.

The notes send shivers down my spine.

So crisp and so clear, from his soul to mine.

Moving on. Late night. Lost.

Times Square.

Eerie neon piercing the cold winter air.

The streets are packed.

I bump a shoulder. I’m sorry.

Thousands of people, each with his own story.

So many eyes, so many faces, so many mouths.

One in particular manages to stick out.

A creature with many eyes; they keep blinking at me,

opening, closing, keepin’ a beat.

Its voice, its cry, warm and mellow. Its skin,

shiny gold. Carmel. Yellow.

The streets. The people. The music in my ears.

I throw him some change from my pocket;

I played the sax for 8 years.

He asked me why I stopped.

I didn’t have an answer.

He started again. I walked away faster.

Time to go. Where’s my train?

I hope I don’t get lost again,

but I make it on time.

Seventh Ave. MTV.

I remember that hot dog stand.

I’m actually early.

Good thing;

 Gramma woulda’ been worried.

I walk to a shop.

Penn Station is huge.

Buy some water.

Two men lookin’ used.

They have a tired, sad look in their eyes,

like their spirits are broken,

like they want to cry,

like they been to hell and back.

Put down their beers.

They were Brian and Tone.

They’ve forgotten

more than I’ve known.

A comment,

as usual,

about my ‘fro.

Be proud to be black.

[© GGS 2005, all rights reserved.]

How’s That for a Christmas Gift by Gabriel G. Scheller

My family is historically bad at giving gifts. I remember being a kid and getting mostly what I wanted, but I was extremely rambunctious, hyper-active and outgoing. You could throw string and an old shampoo bottle at me and I would have the time of my life. However, like all teenagers, cynicism and an unhealthy obsession with being cool made me much harder to entertain.

I peg myself at about 13 when I stopped getting really excited for Christmas or even birthdays. This probably says a lot more about me than it does about my parents’ and brother’s gift-giving abilities, but I’m still a little skeptical. There was one year though—save for the X-Box Christmas (my parents never, ever bought me video game systems growing up). That year I had gotten punched in the face on Christmas Eve at the mall as I was trying to buy my dad a last minute gift (it’s a long story) and I got something I knew was a gem before I really even understood it.

Through all the disappointing shirts, socks and Christian rap CDs, I opened my brother’s gift to me. We always open one another’s gifts last. I think that year I got him a DVD of a movie I was sure he liked (I was wrong), but he got me Calvin and Hobbes: Sunday Pages 1985-1995. Anyone growing up in the ‘90s would rather disown Power Rangers, The Ghostbusters and Ninja Turtles than speak ill of the great work of art that is Calvin and Hobbes. So imagine my excitement when there in my hands was 10 years (all) of the Sunday comics in full color. Not only in color, but on one page was the final draft that went to the papers and on the adjacent page were Bill Watterson’s original sketches with his commentary on each one.

I was stunned.

Always having enjoyed drawing cartoons, watching cartoons, reading cartoons (I’m a kid at heart), this was a wonderful gift. What I didn’t realize at the time was that one sentence in the book would help me answer one of the most profound questions ever posed to me.

In February, 2006, our very own E.J. Park had an article published in Christianity Today with a title the editor probably thought was clever and funny: “A Tale of Two Kitties.” If the title is the first thing someone reads in a magazine, readers must have thought that Dr. Park’s article was cute, cuddly and possibly a little bit funny. This couldn’t have been any further from the truth and despite the moniker, E.J. asked America a serious and troubling question that has plagued me since I first heard him mention it in class.

Is there anything too sacred to be mass-produced?

Let that sink in for a second. Is anything too sacred to be painted on 10,000 t-shirts? Is there anything too sacred to be put on a billboard? Is there something so close to your heart that you would feel offended if a big corporation or even a small business put it on a coffee mug? Whoa! Way to change my world E.J. … ignorance was bliss!

In the article, E.J. referenced the great Calvin and Hobbes. Some of what he said I had already read in my book. Bill Watterson’s characters (a boy and his stuffed tiger) had captured the imagination of millions. In only 10 years, he was able to carve out and create a world so intriguing and so interesting that everyone wanted more. Watterson had t-shirt offers, TV-show offers, movie offers, everything one would think a comic strip artist would dream of. But defying expectations and probably baffling his family and friends, Watterson said no. The world he had created—the characters, the landscapes and the imagination were much too important to him. Too important to give Calvin another person’s voice and too important to settle the ambiguity of Hobbes by making him into a real stuffed tiger.

Dr. Park references all this and more in his article. (It was called A Tale of Two Kitties because Aslan was also referenced. I bring up only Hobbes here because I was more partial to Watterson as a kid than to Lewis.) If a man thinks his comic strip, a form that has never been taken seriously, is too important to merchandise, too sacred to mass produce, then how much more seriously should we take Jesus? How much more seriously should we take love, emotions, sex, etc.? Is there anything we as North Americans take as seriously as Watterson took his art? I don’t know.

It’s funny to me that the decision of one secular man could change and influence my life more than the hundreds of CCM songs that I have probably heard. His seriousness and devotion to his art have motivated me more than what have classically been called “great artists.” His decision to stand up for something that many other people probably thought was irrelevant was what forced me to finally look at my life and relationship with God. After years of church, countless youth groups and more snow retreats than I would like to remember, a cartoon cat and a smart-ass kid are what brought me closer to the Lord, to my art and to myself.

How’s that for a Christmas gift?

[©GGS 2007, all rights reserved.]

Note: This essay first appeared as the introduction to a paper titled Communication Credo that Gabriel wrote for his senior seminar at Wheaton College. He went on to write:

“In the same way Watterson did not want to sell his art short, I do not want to sell God, the people involved or my audiences short. I do not want to make holy moments into postcards and sacred tears into coffee mugs. I understand these decisions are aggressive. I understand I will not get it right all of the time, but as long as I sincerely believe in having a healthy respect for the sacred and a revulsion for the dehumanizing, I can be an ethical Christian communicator.”

 

 

 

Poetry and Art

The poets and artists silence us pontificators …

For Gabe, a poem by Chuck Liu

Kitchen Cabinet Cross by Richard Gifford and Lenny Bernotas

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Art and Inspiration by Gabriel Scheller

Art is passion.

Art is emotion.

Love, anger, hatred, bitterness,

hope, dreams and beauty

reflected in lead, ink, paint and film.

Art isn’t what’s popular.

It’s not spoon-fed baby food

consumed by the crying infant of society.

Society is crying for passion.

The type of art that captures.

Captures that moment.

That tear. That smile.

That laugh. That touch.

We all find solace in art

because it reaffirms

the feelings and experiences

we thought we only had ourselves,

but didn’t have the skill

or courage to express it.

An artist opens his heart. His soul. In the hopes

that just one person

finds solace in not being the only one.

Money doesn’t drive me.

The bottled up tears of my peers

are what inspire me.

[© GGS 11/2/05]

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[note: I had intended to post Gabriel’s film parody of MTV’s Total Request Live (TRL) today, but was unable to upload the file to YouTube. Perhaps another time. One of Gabe’s goals in auditioning for Next and The Real World was to manipulate the manipulators … even as he himself struggled to resist being manipulated by commercial influences.]